• Romeo and Juliet and other catastrophic love affairs, dir. Rolf Alme (Norway)-2022
• The Tragedy of Macbeth, dir. Henry Maynard (UK)–2023

• The production can be a reworking of a Shakespeare text or a piece derived from Shakespeare’s plays.
• It must be around 60-80 minutes in length.
• There must be a maximum of 5 in the total touring company and at least 2 actors – this is not a call for a solo show.
• There should be no touring set, basic elements such as chairs or stage blocks, can be provided by the festivals, and all props and costumes should be able to travel with the actors as standard luggage in no more than 2 normal suitcases.

• a cv of your company and your previous achievements,
• a one page statement of your idea for this performance.

• As well we ask you to send a two minute video in English, of you speaking to camera about your piece. If it’s a new piece, this is where you can tell us about your plans, if it’s an existing production then tell us about making it and what you’re looking to achieve. You can film this on a phone – we are not assessing video quality, nor are we going to assess the quality of your English presentation. We want to use this to find out a little more about you and how we might work with you in partnership.

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Archive

Shakesphere 2023-anouncement of the results!

The ESFN (European Shakespeare Festivals Network) www.esfn.eu brings together the key festivals across Europe who present Shakespeare from an international perspective. 

The Shakesphere project is an open call for a small-scale production which will be presented at ESFN member festivals during 2023.  

From a wide choice, the selection panel are delighted to announce that they have chosen an innovative new production of Macbeth, produced by Flabbergast Theatre from the UK, and this production will be invited to  

• York International Shakespeare Festival (UK) 
• Gdansk Shakespeare Festival (Poland) 
• Neuss Shakespeare Festival (Germany) 
• Craiova International Shakespeare Festival (Romania)  

On behalf of the ESFN, Chair, Philip Parr said, “The selection panel were impressed by the strength of this production, and how it would engage audiences through the mix of theatrical languages – physical theatre, puppetry and clowning. We are excited to be supporting such a strong production.”

Henry Maynard, Artistic Director of Flabbergast said  “Flabbergast Theatre are delighted and thrilled to have been invited to present an exciting stripped back version of their acclaimed, visceral, Tragedy of Macbeth for the European Shakespeare Festivals Network. Grotowski, Lecoq and physical theatre combined with an evocative soundtrack, bring Shakespeare’s original text to life in a production focused on clear but innovative story telling.”

 

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This is a call for Shakespeare related performance work, from the world theatre community. 

 

After an enormously successful first season in 2022, when 42 project proposals were received from around the world, we are delighted to announce the call for the 2023 Shakesphere programme. 

 The ESFN (European Shakespeare Festivals Network) brings together the key festivals across Europe who present Shakespeare from an international perspective. Our mission is to encourage collaboration across the various festivals, and to develop new opportunities and possibilities for theatre and performance makers who want to work with Shakespeare. 

 The ESFN are delighted to announce a competition call for a small-scale production which will be invited to the member festivals during 2023. This is a world-wide call to find the most exciting and innovative international work. 

 

The production can be a reworking of a Shakespeare text or a piece derived from Shakespeare’s plays. It must be around 60-80 minutes in length. There must be a maximum of 5 in the total touring company and at least 2 actors – this is not a call for a solo show. There should be no touring set, basic elements such as chairs or stage blocks, can be provided by the festivals, and all props and costumes should be able to travel with the actors as standard luggage in no more than 2 normal suitcases. 

The ESFN will offer two or three performances at each of the member festivals which are participating in this exciting project. For the second year, six festivals are confirmed as participating (and others may join): 

• York International Shakespeare Festival (UK) 23.04-1.05.2023 
• Itaka Shakespeare Festival (Serbia) 29.06-6.07.2023 
• Gdansk Shakespeare Festival (Poland) 28.07-6.08.2023 
• Verona Shakespeare Festival & Fringe (Italy) 24-31.08.2023 
• Neuss Shakespeare Festival (Germany) 13.05-10.06 ,2023
• Craiova International Shakespeare Festival (Romania) – there is no festival in 2023 but the production will be presented in the regular season between 20-30.04.2023 

To apply, you must be available to perform at all six festivals. 

You can find out more information about all the festivals, and their dates at www.esfn.eu  

 

All festivals will pay the chosen company that festival’s regular performance fee for all performances given – and in addition will provide accommodation, some local transport and per diems. Once the chosen performance is announced, there will be an opportunity to discuss these conditions with each festival, and to confirm the fee and other details. The company will need to cover transport costs to each festival, and we are confident that as the winners of such a prestigious competition it will be possible to obtain travel support from national or international sources, and the ESFN will assist this in whatever way is most helpful. 

 

As well, all the festivals will look to add value to the visit of the artists through supporting additional days in residence, meetings with other artists, tickets to performances etc. 

 

The schedule is as follows: The call for applications is open until midnight on December 30, 2022, and we will announce the successful production on January 20, 2023 

 

To apply is simple. 

 We need two documents and a short video 

 You should send  

1) a cv of your company and your previous achievements,  

2) a one page statement of your idea for this performance.  

These two documents are critical as this is what all the judges may see.  

These two documents should be in English. 

In your statement you must confirm that you are available and able to perform at all four of the festivals who are currently participating. 

If you would prefer to send a video of your one-page statement, then this must be no longer than 3 minutes. We do require your cv as a written document.  

 

3) As well we ask you to send a two minute video in English, of you speaking to camera about your piece. If it’s a new piece, this is where you can tell us about your plans, if it’s an existing production then tell us about making it and what you’re looking to achieve. You can film this on a phone – we are not assessing video quality, nor are we going to assess the quality of your English presentation. We want to use this to find out a little more about you and how we might work with you in partnership. 

 

In addition, you can send as much supporting material as you wish, links to online material, photographs, and films of previous productions etc, and this will also be available to the judges should they wish to see it. This material can be in any language – it would be helpful if you could label them in English, but not essential. 

 

Applications should be sent by email to shakesphere@esfn.eu and submissions will be accepted until midnight Central European time on Friday December 30, 2022 

 

The Judges decision is final, and we are unable to discuss any unsuccessful submissions with the applicants. Individual festivals may choose to contact artists with whom they would like to have further contact, but this will be outside the remit of this competition.  

Full call brochure to share Shakesphere 2023 CALL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Archive Shakespeare Call 2022:

The European Shakespeare Festivals Network is delighted to announce the inaugural selection for the Shakesphere project.  

Shakesphere is an invitation to theatre makers from around the world to propose a small-scale production based on around any of the work of William Shakespeare, for presentation at member festivals. 

We were very pleased to receive 42 excellent submissions, from 25 different countries, and across all the continents (except Australia and Antarctica, so that gives us something to work on in the future!) 

 

The successful project this year is from Norway, and is titled, ROMEO AND JULIET and other catastrophic love affairs. Concept, text and direction are by Rolf Alme.  

Announcing the result of the process, ESFN Chair Philip Parr said, ‘After a very close decision we have an exciting winner, who fulfils all the aspirations we had for this project – it is new and innovative cross artform work, combining theatre and visual art, which explores Shakespeare in our time and emphasises his enduring relevance. As well, through this process, we have connected to many exciting companies and artists who we didn’t previously know, and I am sure that there will be many conversations beginning with member festivals. Now I’m eagerly looking forward to the first performances of Rolf Alme’s work later this year, and to beginning to plan for Shakesphere 2023.’ 

 

In 2022, four festivals will host Romeo and Juliet and other catastrophic love affairs, Craiova (Romania), Itaka (Serbia), Gdansk (Poland), Hamletscenen (Denmark).